100 Best Songs of 1998
The year is 1998. The world is teetering on the edge of a new millennium, fueled by a weird mix of Y2K anxiety and a desperate, shiny optimism. We were all buying Nokia brick phones, watching Dawson’s Creek, and pretending we understood the plot of The Matrix. But mostly, we were listening to the 100 best songs of 1998 on the Billboard charts.

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As a lifelong chart nerd, I’ve spent way too much time obsessing over the Billboard Hot 100 1998 rankings. Why? Because back then, the charts were the only honest map of the American psyche. Before the internet fractured us into a billion sub-genres, we all shared the same airwaves. Whether you were in a suburban mall in Ohio or a club in Atlanta, 1998 music nostalgia hits the same. It was a fever dream where country-pop crossover queens, ’90s R&B hits, and guys in bucket hats making “jiggy” sounds all fought for the same four minutes of your attention.
Looking back at the best songs of 1998, it wasn’t just a “good year” for music. It was a chaotic, beautiful, and deeply human pivot point. We were moving away from the gritty grunge of the mid-’90s and diving headfirst into the glossier reality of late-’90s pop music. These weren’t just tracks; they were the soundtrack to the moments that defined us: the breakups in parked cars, the sweaty house parties, and the slow dances that felt like the end of the world.
The Top 10 Songs of 1998: A Deep Dive into the Soul of America
This isn’t just a list of the top songs of 1998. This is a post-mortem of what we valued, what we obsessed over, and what we were too embarrassed to admit we liked.
10. Paula Cole – I Don’t Want To Wait
“I don’t want to wait for our lives to be over / I want to know right now what will it be?”
Let’s be real: you hear this song, and you see James Van Der Beek’s crying face. It’s unavoidable. But beyond the Dawson’s Creek connection, Paula Cole captured a specific brand of late-90s existential dread. We were all impatient. We were all waiting for “life” to start, terrified it might pass us by before we figured out who we were. It’s an earnest, piano-driven plea for presence in a world that was already starting to move too fast.
9. Usher – Nice & Slow
“I’ll take my time / Cause I’m in no rush / And I want to make sure you’re comfortable.”
Before Usher was a global mogul, he was the kid who perfected the “slow jam.” This track defined the ’90s R&B hits that dominated American radio: high-gloss production and vocals like liquid velvet. I remember this playing on every car radio at night, making everyone feel way cooler and more sophisticated than they actually were during their drive-thru runs.
8. Elton John – Candle In The Wind 1997
“And it seems to me you lived your life / Like a candle in the wind.”
This song is a heavy outlier. It’s a global wake for Princess Diana that lingered on the U.S. charts because we weren’t ready to stop grieving. It’s a rare moment when the charts stop being about “entertainment” and become about a shared human experience. It was the fastest-selling single for a reason: we needed a place to put our collective sadness.
7. K-Ci and JoJo – All My Life
“All my life I prayed for someone like you / And I thank God that I, that I finally found you.”
If you were alive in 1998, you attended at least three American weddings or school dances where this was the centerpiece. It is the ultimate “I’m all in” anthem. Coming from the Jodeci lineage, K-Ci and JoJo brought a raw, gospel-inflected passion to pop radio that made every other love song feel a bit flimsy. It’s vulnerable, slightly desperate, and undeniably powerful.
6. Janet – Together Again
“Everywhere I go, every smile I see / I know you are there, smiling back at me.”
Janet Jackson turned the pain of the AIDS crisis into a shimmering, house-inspired dance track. That’s the genius of it. It’s a song about death that makes you want to live. I remember the vibe in the clubs when this came on: it wasn’t just dancing, it was a release. It proved that the top songs of 1998 could have a massive heart under all that production.
5. LeAnn Rimes – How Do I Live
“How do I live without you? / I want to know / How do I breathe without you if you ever go?”
This song stayed on the U.S. charts for 69 weeks. Read that again. It’s a statistical anomaly. Whether you prefer the LeAnn version or the Trisha Yearwood one, the song became the definitive power ballad of the era. It’s the sound of absolute, terrifying dependence on another person, and for some reason, we couldn’t get enough of that feeling.
4. Savage Garden – Truly Madly Deeply
“I want to stand with you on a mountain / I want to bathe with you in the sea.”
The Australians brought us a brand of romanticism that was almost painfully sincere. It’s a “bed of roses” kind of song. At a time when the world was starting to get cynical and “meta,” Savage Garden was out here singing about bathing in the sea. It worked because we all secretly want to be loved with that kind of un-ironic intensity.
3. Shania Twain – You’re Still The One
“You’re still the one I run to / The one that I belong to / You’re still the one I want for life.”
Shania Twain didn’t just cross over; she took over. This song was the bridge between Nashville and the rest of the planet. It’s a song about beating the odds, which is a theme that never goes out of style. Even now, when those opening chords hit, there’s a sense of warmth and “we made it” that most pop stars would kill for.
2. Brandy and Monica – The Boy Is Mine
“You need to give it up / Had enough / I told you, ‘Boy, he’s mine!'”
This was the heavyweight title fight of the year. The production by Rodney Jerkins was futuristic, twitchy, and perfect. But the real draw was the chemistry (and the rumored rivalry) between Brandy and Monica. It was a masterclass in passive-aggressive vocal sparring. Every girl I knew in 1998 picked a side. It was the pinnacle of R&B storytelling.
1. Next – Too Close
“I step back, I’m sorry as can be / But girl, you know it’s something I can’t help.”
Here it is: the most honest song of 1998. While everyone else was singing about mountains and soulmates, Next was singing about getting an accidental “physical reaction” while dancing in a club. It’s hilarious, it’s groovy, and it’s peak 1998. It dominated the top songs of 1998 because it was catchy as hell and dared to talk about the messy, awkward reality of being a human being with hormones. It’s the ultimate “guilty pleasure” that we eventually stopped feeling guilty about.
Our Pick: Allure feat. 112 – All Cried Out
“My body never knew such pleasure / My heart never knew such pain.”
If you want to talk about the unsung heavy lifters of ’90s R&B hits, you have to talk about Allure and 112. “All Cried Out” is a cover of the 1986 Lisa Lisa & Cult Jam classic, but Allure didn’t just cover it: they modernized it into something that felt like a baptism by rain and heartbreak. Produced by Mariah Carey, this track hit number four on the Billboard Hot 100 in 1998, and for good reason. It’s that rare song that sounds best when you’re staring out a rainy window, feeling like your life is a high-stakes music video.
The Full Top 100 Songs of 1998
|
Rank 10112_e6afed-4a> |
Artist 10112_7bd98a-03> |
Title 10112_5947b1-c9> |
Peak 10112_dcc8b1-f0> |
WoC 10112_08f24a-69> |
|---|---|---|---|---|
|
1 10112_2464cc-13> |
Next 10112_c5ebcf-a4> |
Too Close 10112_214a47-dc> |
1 10112_f57713-a9> |
38 10112_fb7be8-04> |
|
2 10112_1fd160-4f> |
Brandy and Monica 10112_5f856b-6a> |
The Boy Is Mine 10112_68bdf0-dd> |
1 10112_2f9d89-6f> |
27 10112_3e8f1e-a4> |
|
3 10112_010961-bb> |
Shania Twain 10112_5fac37-91> |
You’re Still The One 10112_c7bf72-17> |
2 10112_1403b3-82> |
42 10112_bc512f-ab> |
|
4 10112_8c716d-2d> |
Savage Garden 10112_bbc76b-20> |
Truly Madly Deeply 10112_8f3248-89> |
1 10112_dc76ff-10> |
52 10112_c10db1-25> |
|
5 10112_829281-c5> |
LeAnn Rimes 10112_cea4eb-e9> |
How Do I Live 10112_e502a3-84> |
2 10112_ff2431-b3> |
69 10112_c0aa5d-0e> |
|
6 10112_2a99fc-65> |
Janet 10112_0fe7d9-44> |
Together Again 10112_e6459c-73> |
1 10112_ef7130-91> |
46 10112_7837ac-dd> |
|
7 10112_c70e46-78> |
K-Ci and JoJo 10112_22d35b-35> |
All My Life 10112_4e993b-b4> |
1 10112_e831bf-ee> |
34 10112_57c0c0-52> |
|
8 10112_c22946-93> |
Elton John 10112_dab75c-0b> |
Candle In The Wind 1997 10112_a1fcaf-69> |
1 10112_2eea28-4a> |
42 10112_d692ae-26> |
|
9 10112_26f8be-32> |
Usher 10112_e1da0b-ad> |
Nice & Slow 10112_a76eb5-b3> |
1 10112_17ac0a-a4> |
29 10112_95b2ba-4e> |
|
10 10112_e81c22-5d> |
Paula Cole 10112_f1a2ce-c0> |
I Don’t Want To Wait 10112_5261a8-c2> |
11 10112_5341ce-6f> |
56 10112_c5e38d-fa> |
|
11 10112_a80afa-c4> |
Third Eye Blind 10112_9285e7-9c> |
How’s It Going To Be 10112_1ddf52-24> |
9 10112_f5239b-41> |
52 10112_e76e18-fc> |
|
12 10112_058c1c-e4> |
Destiny’s Child 10112_03235d-3e> |
No, No, No 10112_c97ffe-5b> |
3 10112_169b48-eb> |
31 10112_0a01ae-52> |
|
13 10112_6a68ba-b3> |
Celine Dion 10112_601888-fd> |
My Heart Will Go On 10112_74a0ee-35> |
1 10112_f3ee22-a8> |
20 10112_9f2fe5-7e> |
|
14 10112_a078f6-44> |
Will Smith 10112_36aa4c-96> |
Gettin’ Jiggy Wit It 10112_25626d-e9> |
1 10112_6b24e1-b4> |
24 10112_f82fea-97> |
|
15 10112_f7122d-06> |
Usher 10112_f3f948-0e> |
You Make Me Wanna… 10112_c48b15-e1> |
2 10112_6f5b35-21> |
47 10112_8552f2-7b> |
|
16 10112_7989b6-67> |
Usher 10112_8f9a48-d0> |
My Way 10112_ca2628-76> |
2 10112_b3ead1-c9> |
30 10112_02b229-b1> |
|
17 10112_711eba-e1> |
Mariah Carey 10112_89560c-e4> |
My All 10112_d6a7c2-63> |
1 10112_e5bd22-2c> |
20 10112_bd7fad-44> |
|
18 10112_8d202a-4a> |
Monica 10112_6d601b-b3> |
The First Night 10112_f6c84e-b7> |
1 10112_3a3db9-0a> |
26 10112_71b1a4-1a> |
|
19 10112_2de54c-3e> |
Puff Daddy & The Family 10112_93c8f1-b9> |
Been Around The World 10112_2aeb7d-9e> |
2 10112_479747-66> |
21 10112_3eac23-86> |
|
20 10112_04d75e-1b> |
Sarah McLachlan 10112_e21a2a-35> |
Adia 10112_41023e-0d> |
3 10112_d8cfea-0c> |
36 10112_d82a7d-d0> |
|
21 10112_fcc3ef-dc> |
Jennifer Paige 10112_0e2697-67> |
Crush 10112_efd680-95> |
3 10112_3bb224-13> |
24 10112_1dda9b-72> |
|
22 10112_8ebb07-fa> |
Backstreet Boys 10112_f0635b-c4> |
Everybody (Backstreet’s Back) 10112_eafb85-9b> |
4 10112_6270ab-88> |
33 10112_aed7f5-db> |
|
23 10112_a3d04b-6f> |
Aerosmith 10112_cfaa65-a8> |
I Don’t Want To Miss A Thing 10112_7cc8d2-fa> |
1 10112_8e2189-25> |
20 10112_3b3811-9d> |
|
24 10112_5cab18-8a> |
Public Announcement 10112_735bdd-6e> |
Body Bumpin Yippie-Yi-Yo 10112_51a996-99> |
5 10112_401122-ea> |
31 10112_ad0a25-bc> |
|
25 10112_41cfcf-36> |
Faith Hill 10112_ff5b86-46> |
This Kiss 10112_1642c6-be> |
7 10112_007503-26> |
34 10112_480a8e-d3> |
|
26 10112_7e399e-20> |
Uncle Sam 10112_dfd4a0-a1> |
I Don’t Ever Want To See You Again 10112_5625ed-1d> |
6 10112_abf74b-cb> |
29 10112_b47426-99> |
|
27 10112_6d6c2f-2b> |
Montell Jordan 10112_eeaaed-0a> |
Let’s Ride 10112_45fac9-d7> |
2 10112_39baf5-1e> |
21 10112_1c801d-72> |
|
28 10112_8c54b2-9a> |
Marcy Playground 10112_764ddb-7d> |
Sex And Candy 10112_6c40b6-04> |
8 10112_338770-ef> |
44 10112_d4786f-1f> |
|
29 10112_304c2d-d8> |
Robyn 10112_a94636-31> |
Show Me Love 10112_e0ae56-8f> |
7 10112_33928f-92> |
33 10112_f50585-94> |
|
30 10112_cc1f05-56> |
Boyz II Men 10112_2d68d0-1f> |
A Song For Mama 10112_7a3a35-85> |
7 10112_2a8df3-d8> |
20 10112_363bf3-b8> |
|
31 10112_358647-7d> |
Mase 10112_c8595f-05> |
What You Want 10112_90a06d-c4> |
6 10112_7370a2-60> |
20 10112_e0b678-5d> |
|
32 10112_a13118-50> |
Madonna 10112_50d6a8-34> |
Frozen 10112_9b2d2c-91> |
2 10112_ae2ca1-49> |
20 10112_f6bcbd-75> |
|
33 10112_8d87f0-07> |
Wyclef Jean 10112_9d2827-09> |
Gone Till November 10112_f0aaf8-70> |
7 10112_bb5355-9c> |
30 10112_41e5eb-3a> |
|
34 10112_897704-87> |
LSG 10112_0e2b80-8a> |
My Body 10112_6e6151-12> |
4 10112_455b4c-84> |
24 10112_9502a4-1c> |
|
35 10112_dcb0a2-97> |
Chumbawamba 10112_fa4e10-cc> |
Tubthumping 10112_e3e98a-c9> |
6 10112_9d3a04-01> |
31 10112_e09a79-b5> |
|
36 10112_e19bf0-6a> |
Lord Tariq and Peter Gunz 10112_1ae2c3-8b> |
Deja Vu (Uptown Baby) 10112_bf360c-6a> |
9 10112_42d129-28> |
24 10112_616a07-85> |
|
37 10112_a58e60-f9> |
‘N Sync 10112_4aad18-9b> |
I Want You Back 10112_8d3ee4-49> |
13 10112_54c270-4d> |
28 10112_55675d-33> |
|
38 10112_2389f3-75> |
Five 10112_74656d-72> |
When The Lights Go Out 10112_9400cc-80> |
10 10112_2b992e-67> |
33 10112_ae5b27-77> |
|
39 10112_68c24b-92> |
Jon B. 10112_50c07d-34> |
They Don’t Know 10112_4f15ea-28> |
7 10112_b8d414-f5> |
31 10112_cc215c-25> |
|
40 10112_79b428-db> |
Master P 10112_d433bf-0a> |
Make Em’ Say Uhh! 10112_98708e-b2> |
16 10112_6cf36c-4b> |
28 10112_ae4f31-50> |
|
41 10112_c762d1-f6> |
Nicole feat. Missy Elliott 10112_e1d8f5-d9> |
Make It Hot 10112_8c640a-62> |
5 10112_293cad-30> |
23 10112_975903-56> |
|
42 10112_805715-11> |
All Saints 10112_b1516b-ef> |
Never Ever 10112_34095e-c6> |
4 10112_4a94f5-22> |
21 10112_56e455-e8> |
|
43 10112_32f784-c4> |
Janet 10112_44149d-86> |
I Get Lonely 10112_722fd6-27> |
3 10112_479f6d-08> |
20 10112_856073-c9> |
|
44 10112_cdd449-e3> |
Mase 10112_84bb22-4c> |
Feel So Good 10112_52f7b9-07> |
5 10112_310e56-62> |
24 10112_c8aa4c-53> |
|
45 10112_5da81b-d8> |
Voices Of Theory 10112_896579-1b> |
Say It 10112_1c39d5-f4> |
10 10112_637ed5-e5> |
25 10112_2df951-0b> |
|
46 10112_e6c8ef-7b> |
Billie Myers 10112_75011f-46> |
Kiss The Rain 10112_f302dd-63> |
15 10112_94c4e1-cd> |
31 10112_5c4322-00> |
|
47 10112_6570c8-eb> |
Puff Daddy 10112_e4da41-97> |
Come With Me 10112_30710a-10> |
4 10112_9adc91-85> |
20 10112_684610-53> |
|
48 10112_385c96-71> |
Sylk-E Fyne 10112_5d5bf7-e0> |
Romeo And Juliet 10112_5630c4-52> |
6 10112_3ddf7a-04> |
20 10112_f96c7c-40> |
|
49 10112_9134d5-d8> |
Mya and Sisqo 10112_9da834-15> |
It’s All About Me 10112_6a96d3-0e> |
6 10112_c2fece-a2> |
20 10112_53de6c-a9> |
|
50 10112_da2a52-0a> |
Hanson 10112_349188-2b> |
I Will Come To You 10112_ff7b7a-05> |
9 10112_5da4ac-f1> |
20 10112_cf1e0c-89> |
|
51 10112_182a49-24> |
Barenaked Ladies 10112_9fd96a-ea> |
One Week 10112_e8ee63-7a> |
1 10112_a762d6-16> |
25 10112_3a32f9-f0> |
|
52 10112_4a4e60-71> |
K.P. and Envyi 10112_028684-a9> |
Swing My Way 10112_f632a4-0c> |
6 10112_a0f867-69> |
21 10112_4cf4d8-1b> |
|
53 10112_8ae847-47> |
Xscape 10112_b19f58-4c> |
The Arms Of The One Who Loves You 10112_9972b0-1d> |
7 10112_c72085-38> |
20 10112_fd7b2f-48> |
|
54 10112_498fb4-ef> |
Somethin’ For The People 10112_f26ccc-06> |
My Love Is The Shhh! 10112_16d7c1-f4> |
4 10112_f0773f-67> |
26 10112_7248bc-70> |
|
55 10112_cbfd25-3c> |
Tatyana Ali 10112_9c1c09-12> |
Daydreamin’ 10112_a709ae-d6> |
6 10112_ef8e00-24> |
22 10112_89db95-a4> |
|
56 10112_0ca7fe-02> |
Dru Hill 10112_2216a4-b5> |
We’re Not Making Love No More 10112_03afaf-66> |
13 10112_ece8e3-36> |
23 10112_0a2d00-29> |
|
57 10112_33801b-5d> |
Third Eye Blind 10112_937152-99> |
Semi-Charmed Life 10112_a1d39a-40> |
4 10112_dd0179-c5> |
43 10112_cc7f41-f1> |
|
58 10112_120dc1-89> |
Lisa Loeb 10112_ee98c1-4f> |
I Do 10112_516217-7f> |
17 10112_2f5137-52> |
25 10112_710ab5-b5> |
|
59 10112_0c5555-61> |
Mase 10112_fd3e0d-45> |
Lookin’ At Me 10112_e43463-36> |
8 10112_437681-c6> |
20 10112_ff68db-82> |
|
60 10112_0ff67a-b6> |
LeAnn Rimes 10112_8a0410-dc> |
Looking Through Your Eyes 10112_4d382f-9d> |
18 10112_31c600-ee> |
26 10112_b8212f-09> |
|
61 10112_8825ed-93> |
Divine 10112_f01a32-93> |
Lately 10112_7c78bb-05> |
1 10112_53fb12-42> |
24 10112_63a5dc-25> |
|
62 10112_045cbf-57> |
Backstreet Boys 10112_de1be7-2d> |
Quit Playing Games (With My Heart) 10112_39f264-9d> |
2 10112_7a6ac7-2b> |
43 10112_2680ad-17> |
|
63 10112_9e77d7-35> |
Next 10112_82fec7-cd> |
I Still Love You 10112_ce8de5-be> |
14 10112_10598a-be> |
28 10112_8cf86e-fe> |
|
64 10112_d766ec-59> |
Inoj 10112_035acb-cd> |
Time After Time 10112_99df34-9a> |
6 10112_fd20d4-37> |
25 10112_e7bbcc-b2> |
|
65 10112_9fd7d5-9b> |
Jimmy Ray 10112_580ea7-91> |
Are You Jimmy Ray? 10112_a89863-dc> |
13 10112_770af5-77> |
20 10112_f53a26-75> |
|
66 10112_c399e5-89> |
Ace Of Base 10112_99314a-78> |
Cruel Summer 10112_8a7a39-e4> |
10 10112_f3d6ac-08> |
20 10112_20010b-97> |
|
67 10112_a65119-de> |
Master P 10112_c0bb3c-8e> |
I Got The Hook Up! 10112_4f41e6-e8> |
16 10112_30e719-44> |
20 10112_7908e1-d0> |
|
68 10112_f82ed9-2a> |
Puff Daddy & The Family 10112_4e3531-ad> |
Victory 10112_df4eb2-da> |
19 10112_7debaa-b9> |
20 10112_7d3f31-16> |
|
69 10112_f32b6f-60> |
Spice Girls 10112_7b9e14-bc> |
Too Much 10112_699cd7-54> |
9 10112_3e4f9b-21> |
16 10112_f1dca5-af> |
|
70 10112_1d5c3f-13> |
Pras feat. ODB and Mya 10112_002ee3-b5> |
Ghetto Supastar 10112_7f80c2-56> |
15 10112_f8e110-1e> |
24 10112_bce226-a4> |
|
71 10112_189af0-30> |
Dru Hill feat. Redman 10112_6cee06-09> |
How Deep Is Your Love 10112_09a30d-8f> |
3 10112_5dfee0-f5> |
22 10112_747a48-8a> |
|
72 10112_98f8cb-c9> |
Kelly Price 10112_042c9d-6b> |
Friend Of Mine 10112_f9fc74-70> |
12 10112_36e798-44> |
22 10112_43b04c-f3> |
|
73 10112_362f01-59> |
Busta Rhymes 10112_d6deba-fc> |
Turn It Up [Remix] 10112_6b3ab6-d4> |
10 10112_08bb82-ec> |
22 10112_28f479-36> |
|
74 10112_05c69c-fc> |
Edwin McCain 10112_4b7465-b9> |
I’ll Be 10112_b54573-cb> |
5 10112_975001-9c> |
37 10112_3672f7-f5> |
|
75 10112_5c5167-62> |
Madonna 10112_ae0c69-95> |
Ray Of Light 10112_eb5b32-a0> |
5 10112_15756f-8f> |
20 10112_a4638b-c6> |
|
76 10112_fcdf99-ca> |
Sister Hazel 10112_dcf1c8-5e> |
All For You 10112_d6cae0-51> |
11 10112_64df77-a3> |
43 10112_9d2d18-76> |
|
77 10112_ca7bee-e9> |
Monifah 10112_432525-65> |
Touch It 10112_77b4c7-fb> |
9 10112_24c05c-aa> |
24 10112_76723b-e6> |
|
78 10112_d0c03e-5a> |
Lox 10112_f81e32-29> |
Money, Power & Respect 10112_b559ff-55> |
17 10112_e178b8-81> |
20 10112_253687-29> |
|
79 10112_efd9fe-7e> |
The Verve 10112_76b33c-d3> |
Bitter Sweet Symphony 10112_ed200f-15> |
12 10112_fa84ab-8e> |
20 10112_ab1712-45> |
|
80 10112_98bb0d-78> |
Busta Rhymes 10112_577a96-63> |
Dangerous 10112_ab8ff0-b9> |
9 10112_1a409d-cc> |
20 10112_1b0c83-5a> |
|
81 10112_5797a7-21> |
Spice Girls 10112_618139-e9> |
Spice Up Your Life 10112_44a5fd-84> |
18 10112_681dcd-1f> |
20 10112_752ed5-71> |
|
82 10112_ac74df-f5> |
98 Degrees 10112_703eca-57> |
Because Of You 10112_172584-a5> |
3 10112_920e40-e2> |
31 10112_77e5af-86> |
|
83 10112_2e18a3-52> |
Loreena McKennitt 10112_0e5052-c2> |
The Mummers’ Dance 10112_62185e-c4> |
18 10112_d5c04c-fa> |
20 10112_9376ab-89> |
|
84 10112_3406c8-40> |
Allure feat. 112 10112_2b021d-cd> |
All Cried Out 10112_c1156c-15> |
4 10112_762b25-33> |
28 10112_0310f1-1e> |
|
85 10112_d71c67-89> |
Big Punisher feat. Joe 10112_163ea4-ea> |
Still Not A Player 10112_da9140-d3> |
24 10112_09c48c-63> |
34 10112_b7e4d5-56> |
|
86 10112_559e89-69> |
Aaliyah 10112_53516d-cb> |
The One I Gave My Heart To 10112_55a8aa-79> |
9 10112_17450c-f6> |
25 10112_004e28-61> |
|
87 10112_514221-4e> |
Jewel 10112_3507d6-03> |
Foolish Games / You Were Meant For Me 10112_5602a4-fe> |
2 10112_2158bc-91> |
65 10112_dd5c74-64> |
|
88 10112_e30da9-94> |
Inoj 10112_992f91-b2> |
Love You Down 10112_392705-e2> |
25 10112_6671f9-72> |
24 10112_926825-70> |
|
89 10112_df3f3f-8a> |
2Pac 10112_a18cdc-3a> |
Do For Love 10112_74680c-f0> |
21 10112_9a3857-7f> |
20 10112_5c109e-23> |
|
90 10112_397e2d-91> |
Luke 10112_e9e6cc-a8> |
Raise The Roof 10112_40a5b9-dc> |
26 10112_19adc4-39> |
20 10112_9cf913-87> |
|
91 10112_5ab05f-4d> |
Nu Flavor 10112_c7321a-fe> |
Heaven 10112_31af04-f6> |
27 10112_c4d340-6e> |
26 10112_bc92c5-66> |
|
92 10112_9ae1f6-e7> |
Jd (Jermaine Dupri) 10112_7bebc9-35> |
The Party Continues 10112_f0417a-e3> |
29 10112_b271f6-9d> |
20 10112_94a1fe-31> |
|
93 10112_3dfc3c-af> |
Missy Elliott feat. Da Brat 10112_03c59c-45> |
Sock It 2 Me 10112_d6e0a5-39> |
12 10112_aff906-6f> |
20 10112_cd921c-59> |
|
94 10112_4bba67-be> |
Next 10112_d3aed8-56> |
Butta Love 10112_a79b99-7e> |
16 10112_0f1de6-cb> |
32 10112_aa6d51-6e> |
|
95 10112_bda050-52> |
Aretha Franklin 10112_ecb988-52> |
A Rose Is Still A Rose 10112_9ea2b1-49> |
26 10112_405655-3f> |
20 10112_12d5bb-20> |
|
96 10112_bde514-64> |
Boyz II Men 10112_8668a5-a6> |
4 Seasons Of Loneliness 10112_2f24ef-26> |
1 10112_0f59cd-53> |
21 10112_447c65-5d> |
|
97 10112_4730af-0f> |
LL Cool J 10112_913dbc-e8> |
Father 10112_bb4522-e2> |
18 10112_1943c4-ea> |
20 10112_8dd23d-27> |
|
98 10112_530266-88> |
Gerald Levert 10112_d447bd-2e> |
Thinkin’ Bout It 10112_b53fc1-b4> |
12 10112_4c3d89-7a> |
20 10112_4f187d-9b> |
|
99 10112_97277b-8e> |
Deborah Cox 10112_d9348d-82> |
Nobody’s Supposed To Be Here 10112_0d4186-ec> |
2 10112_09b2d5-8c> |
40 10112_636e17-c1> |
|
100 10112_bcc9ad-ce> |
TQ 10112_b6ff6d-27> |
Westside 10112_038046-30> |
12 10112_bb896e-8a> |
20 10112_071895-83> |
Note on Methodology: This ranking utilizes data from the Billboard Hot 100 year-end charts and historical analyst data. For instances where Billboard data was unavailable or to reflect cultural longevity in America, rankings were adjusted based on retrospective popularity on modern streaming platforms like Spotify and YouTube.
1998 Hits – The 100 Best Songs of the Year on Spotify
Final Thoughts: Why 1998 Music Nostalgia Still Hits
We tend to look back at the late ’90s pop music scene through an ironic lens, mocking the baggy jeans and over-the-top music videos. But beneath the frost-tipped hair and the lens flares, 1998 was a year of genuine emotional connection in America. It was the last time we were all truly on the same page before the world turned digital.
If you find yourself feeling a little disconnected, do yourself a favor: go back to the best songs of 1998 for an hour. Turn off the notifications, put on your best headphones, and let the smooth R&B and the earnest pop ballads wash over you. There’s a particular kind of magic in the music of that year.
Frequently Asked Questions
The year-end number one song was “Too Close” by Next. While other songs spent more time at the top during the calendar year, “Too Close” had the most massive, sustained impact across U.S. radio and sales throughout 1998.
1998 was the “Golden Era” of R&B production. Producers like Rodney Jerkins, Missy Elliott, and Timbaland were reinventing the sound with futuristic beats. At the same time, artists like Usher, Brandy, and Monica brought a vocal sophistication that felt both classic and brand new.
Beyond the Top 10, songs like Celine Dion’s “My Heart Will Go On” (thanks to the Titanic phenomenon) and Will Smith’s “Gettin’ Jiggy Wit It” defined the cultural zeitgeist. These songs were inescapable in malls, movie theaters, and sports arenas across the country.



